Tuesday, March 12, 2013

'Wheels' a short story



A short story I wrote a few years ago, when wheels on furniture were very popular.  I'd love to hear your reaction....


‘WHEELS’

Jillian Butler

The wheels of the chair caught on the carpet as he pushed himself forcefully back from the desk. He knew they knew.  Although his PA was normally good with a confidence, he realised this was an exceptional circumstance. Julia would have been the third recipient of the office email after Mark and Jane, and then it was out there for all to see.
     ‘That’s strange,’ he mused as he watched Julia walk by with a snack. She was normally a chic pea and carrot wrap type of person. Why was she waving the wrapper at him? It was a chocolate marshmallow ‘wagon wheel’. Not her usual fare.
     And then he realised. ‘A cruel act,’ he thought.
     He had not been himself lately; had in fact lost half a kilo in just three days, and his face was pasty and expressionless. His normally bright and cheerful persona was non-existent. He felt he was a non entity to himself and those around him. Pulling at his tie to loosen it, he began to go over the last couple of months again, to try and see where he might have salvaged the situation with Catherine.
     She was an independent, seemingly cheerful wife. In fact now he thought about it, perhaps she had been a little too chirpy of late.
     Catherine had started redecorating a couple of months ago. She loved renovating the home and he agreed to her doing whatever she wanted, after all she was drawing a good income for herself, so why not? This latest project had been a little different though.
     ‘She started attaching wheels to everything,’ he had explained to his brother six weeks ago over lunch. ‘Apparently it’s a current decorating fashion to attach wheels to the bottom of furniture.  Perhaps it makes for easy cleaning, or a way of changing the décor without much effort, or maybe it’s an expression of our temporary, fluid, existential way of living now.’
     ‘Well, I guess they are at least removable when the novelty wears off. It’s not like painting the walls fuscia pink life my wife,’ Edward had laughed, trying to lighten the tone but wondering if Catherine had overdone her dietary supplements.
     ‘I came home one evening, sat in my chair, put my feet on the coffee table as usual,’ Richard went on, ‘and the table slid out from under my feet, leaving them to thump to the floor. My heels still hurt.’
     He rotated his ankles in memory thinking that perhaps he should visit his physiotherapist. They were still quite painful.
     ‘Another evening, a few days later, I sat down to dinner and thought I must have suddenly shrunk,’ he continued to Edward.  ‘The table was ten centimetres closer to my chin – wheels again.’
     He hadn’t told Edward anymore. He was concerned enough about Catherine’s behaviour but until he knew more, sympathy or the lack of it from family was something he didn’t need right then.
     In fact, within the month there were more wheels on the bookshelves and settee.
     ‘Very chic,’ she assured him.
     The barbecue had wheels, and now there were plant container caddies with wheels. The plants were ficus, topiaried into a ball shape on a long thin trunk. He had watched with amusement as, before sitting down to dine out on the terrace, she had at the last minute fussily completed what he thought was her vision of a romantic setting; moving plants around to effect.
     Walking quickly with one hand around the trunk, just under the balled head, Catherine would whiz the pots effortlessly on their small well oiled wheels from one area of the terrace to another, and then when satisfied, motion to him that dinner was ready. He had felt touched by her efforts.
     On a particularly warm and balmy evening, she wheeled these two humanoid plants up to the table, to accompany them as they dined.
     ‘I should have taken that part seriously,’ he remembered with regret, ‘but she did have a very amusing and weird sense of humour at times.’
     On reflection, he realised that he should have noticed a lot more changes in Catherine, but detecting and understanding personal signifiers was never one of his strong suits.
     Her behaviour continued to oscillate between humorous and strange. The possibility of a medical problem did occur to him but was dismissed as unlikely. Katherine was much too organised and sensible to let that happen.
     However, the day before yesterday certain patterns of behaviour became clearer to his now confused mind. Instead of putting on her business suit, Catherine came into the kitchen wearing her jeans, jumper and flats. Before he could ask whether she was having a day off, ill perhaps, or was it a public holiday that he’d forgotten, the horror unfolded in slow motion. Catherine pulled her new turquoise and tan luggage along on its little wheels, clunking over the tiles, then smoothly on the carpet, then clunking on the tiles to the front door. 
     He would always remember clearly the rhythmic clatter sounding so unbearably loud combined with the soft padding of Catherine’s shoes. And it would be impossible to erase the memory of that strange little smile as she turned to him for the last time before quickly putting her shoes into the roller blades and rolling down the hill to the train station. 

Sunday, February 17, 2013

Tea cosy - a tribute to the Eureka Blockade

Cosy - Eureka

I simply must get to Ballarat sometime soon. As well as just walking the streets and looking at the beautiful old buildings, I want to go to Sovereign Hill, www.sovereignhill.com.au, and try to capture some of the atmosphere of the old days; the buildings, gold mining, entertainment and food consumed. My great-great grandparents, with seven children, arrived from Danzig (Gdansk), East Prussia in October of 1854 and would have been in Ballarat just a week or two before the Eureka Stockade.

I do enjoy the history surrounding and influencing the choices my ancestors made. Why they emigrated and why they chose Ballarat (that's easy - gold!) causes me to look hard at the politics, living conditions and family situation of these early pioneers. I spend many hours following leads, becoming frustrated at a dead ends, searching old newspapers, finding legal documents and a really fascinating find - addresses and old homes and buildings that still stand.

At the time of Genetta and Ernst's arrival on the goldfields, many were finding the Licence fee expensive and unfair, particularly to those not finding gold.  They were unhappy with the treatment received from the police and government authorities who they believe were corrupt. Others wished to purchase land for farming if they couldn't find gold, as well as wanting the right to vote at elections. (“No taxation without representation”) Only male landowners could vote.

Some five hundred armed diggers, with their right hand pointing to the standard exclaimed: "We swear by the southern cross to stand truly by each other, and fight to defend our rights and liberties."


A brief battle on 3 December 1854 caused 22 diggers to be killed and many more arrested. Although but a brief original use of the flag, it has stayed in many Australians consciousness as perhaps a symbol of a future republic Australia and has been put forward as a possible future design.

Back to the flag itself, eurekaflag.com.au, and the subject of this cosy.


The Prussian blue background was of "fine woollen mohair fabric, possessing a 'silky' sheen ... the stars were made of a transparent white 'petticoat' lawn", also with a silky sheen. Two squares were used for each star, making it an eight pointed design.


This is all that's left of the flag which is held in the Ballarat Art Gallery.

Did Ernst and Gennetta go to Bakery Hill to attend the meeting? I can't say but I'm sure they were well aware of the situation and saw the flag flying high on the pole.

I used Prussian Blue and a white with a silver thread wool for the flag. I wanted the cross to have the "silky sheen" of the silk petticoat fabric. The stars were too small to knit, hence the buttons with only 5 points instead of the 8 of the flag. The buttons are also silvery white.


The rectangle shape decoration on the top represents the luggage, mental and physical, hauled by ship from Prussia and overland to Ballarat. There is a shape containing canvas which of course represents the many tents dotted all over the diggings and probably the first shelter there for Ernst, Gennetta and their children. The dark metallic shape signifies the dark side to surviving in what must have been such difficult conditions. Infant mortality was high - and the heat, dust, flies, cold and rain surely unbearable at times.

Now the crown. It doesn't sit proudly on top - at the highest point - but is slipping down the side, showing the disquiet felt with the crown (English military) at the time.


Because I loved using the silvery wool, I knitted a star representing the Southern Cross of the future Australian flag on the opposite side to the Eureka flag on the base.

Thursday, February 14, 2013

Tea cosy - the story of the Willow Pattern

I have been asked to make a teapot cosy to accompany a Willow Pattern dinner set. This has been an interesting challenge and I loved the research involved.

Basically, the story goes that there was once a Mandarin who had a beautiful daughter, Koong-se. His secretary, Chang, whilst attending to his master's accounts fell in love with Koong-se. The Mandarin felt the secretary was unworthy of his daughter and so Chang was banished and a fence constructed around the gardens of the Mandarin's estate so that Chang could not see his daughter and Koong-se could only walk in the gardens and to the water's edge.

Koong-se was betrothed to Ta-jin, a noble worrier Duke and to celebrate Ta-jin's arrival, a banquet was held. After the banquet, borrowing the robes of a servant, Chang passed through the guests unseen and came to Koong-se's room. They attempted to run away together but the Mandarin gave chase across the bridge.

They escaped for awhile but the guard's eventually found where they were hiding. Chang escaped but came back with a boat to float away on the river and once again they were together. This was not to last however, and Chang was put to the sword and Koong-se set fire to the house whilst she was inside.

Touched by their love, the gods immortalised them as two doves, eternally flying together in the sky.


I've depicted the lovers and doves as the two hearts floating away in the water, or flying in the sky - what ever you prefer! The shape with ribbons, depicts the guards headdress and,


the blue and white shape comes from the plate's edge pattern of circles.


The plate doesn't have any red, but the blues and white could be a little dull - hence the red highlights.

The story of the British potteries acquiring the pattern around 1780, and then adding the 'apple tree' and the two doves, plus the bridge and people crossing the bridge is fascinating as well. It may be that the story associated with the pattern originated in England and not China. I like to think it is a story from
China.

I enjoyed making this cosy very much and am now researching the next one. It's of an historical event......